September 5, 2008
I think I found a way to embed the high-quality YouTube videos instead of suffering through the normal crappy quality. And what better way is there to test it than to put up a video of Muse’s performance of “Knights of Cydonia” at the V Festival last month? Opening with a great rendition of Ennio Morricone’s “Man with the Harmonica” adds an entirely higher level of awesomeness to the song:
Edit: WordPress still strips out the added code to display the video in its higher resolution. I hope this issue is fixed soon.
July 25, 2008
Unfortunately, I know quite a few people who could be related to this guy:
And yes, I know that it’s a comedy show. My point still stands.
June 29, 2008
My family/friends and I were able to play a full game of A Touch of Evil Supernatural Game with Jason Hill, the designer, at this year’s Origins Game Fair. The game isn’t scheduled to be released until sometime in September, but Flying Frog productions had a preview copy available to try out at their booth. Below is an overview, a list of components, a summary of the rules, and my general thoughts and impressions about the game after one play. This is my first review, so if you have any questions any elements that I didn’t explain clearly please ask and I’ll try to help you out.
Note: One thing that I should have done is take notes as we were playing; unfortunately, I did not. Therefore I’m going off of my memory and some post-play input from other players in the game. There might be a few unintentional mistakes in regards to specific names/locations/titles, but I’m nearly positive I have most of the gameplay correct. If you notice anything mistaken or inaccurate, please let me know and I’ll fix it right away.
Also, we only played the basic version of the rules, not the advanced version–which would understandably be a bit difficult to work with on a convention floor. All of the rules I refer to are the basic ones, but I got the impression that there’s quite a bit more heft to the advanced game.
Overview: A Touch of Evil Supernatural Game is a semi-cooperative/competitive board game set in early 1800s America. The town of Shadowbrook has been invaded by various supernatural monsters who have terrorized the village’s inhabitants and laid waste to the surrounding countryside. The game can support up to 8 players, each taking the role of an “outsider” hero who has come to the town to defeat its evil villains and their minions. Unlike Last Night on Earth: The Zombie Game, there are no rules for playing more than one hero at a time. Our game was with four players, and each of us became very invested in our own hero’s actions and destiny. A big reason for this is that there are no character “deaths,” but rather knock-outs which ensure that you remain attached to your own hero instead of drawing a new one every time you lose a battle to the Villain (and in our game, that happened quite a bit).
According to Jason, this game can be played either cooperatively or competitively. We played the competitive version, where the heroes are racing against each other to become the first one to defeat the Villain in a one-on-one showdown. In a cooperative game, however, the heroes work together to defeat a stronger version of the Villain. If they choose, players can take turns rolling dice for the villain, although Jason did a nice job as GM for the game (and I can see how this might be a popular variant).
I think the gameplay and strategies would be quite different for each variant, since many of the cards used in the game can have different effects depending on if you want to hurt a fellow player or help yourself. I don’t know if it’s a fair comparison, but this element of gameplay reminded me of Munchkin, where you can give bonuses to yourself or other players to help defeat the Villain (cooperative) or stack those bonuses on the Villain to make him more powerful when battling another player (competitive). This feature in A Touch of Evil works quite well, and provides great flexibility in allowing you to choose your own style of playing. I believe Jason also mentioned that there would be rules for team play as well, but I don’t know how similar that would be to the LNoE system.
Components: Just like its sister game Last Night on Earth: The Zombie Game, A Touch of Evil Supernatural Game is absolutely stuffed with gaming goodness. The board is folded, not modular, and has the look of a faded parchment map from the 1800s. At first I was a bit dubious due to the mostly monochromatic color scheme (I tend to like my boards bright and colorful), but its appearance quickly grew on me. It definitely fits the theme the designers were going for, and it’s very clearly laid out and easy to read. There is ample space for everything going on, and the heroes never have to worry about bunching up in the same location. The center of the board contains the town of Shadowbrook and its various locations, each of which has some text on it to give the player instructions. This type is a bit on the small side, if I remember correctly, but it doesn’t get in the way of the board’s aesthetics. And it’s pretty easy to remember what each town location does once it’s been visited, so I don’t think too many people will have problems with it.
Eight hero figures and their respective character charts are included. Just as before, the sculpts are highly detailed and very attractive, and the figures themselves are of the same sturdy quality as the LNoE heroes. These are the only miniatures included in the game, but that’s all that A Touch of Evil Supernatural Game really needs.
There are four main attributes on a character chart: Cunning, Spirit, Combat, and Honor. Each has a numerical value which can be upgraded through the course of the game by playing certain items, allies, and events. The attribute used most often is Combat: this merely tells you how many dice you can roll when fighting a minion or Villain. Hits occur on a 5 or a 6, and both heroes and Villains (and their minions) have a certain number of wounds they can take before dying. Of course, all of this can be modified in one way or another, but that’s the general idea of how to take out your opponent.
The game includes four different villains, each with its own character card that more or less serves the same purpose as a scenario card in LNoE. In addition to character cards, every villain has a unique minion chart, which details the creatures that the villain can send out to harass and fight against the heroes during the game. These minions are represented by glossy character tokens; the two we played against were some kind of evil hound and ghost soldiers–both minions of the Headless Horseman (our villain for the game).
There are quite a few other bits, including lots of upgrade tokens for Cunning, Spirit, and Honor, as well as wound tokens (a carryover from LNoE) and a track that looks quite a bit like LNoE’s sun track but serves a rather different purpose than a game clock. There are also going to be Investigation tokens (these serve as the currency in the game), but Jason explained that they hadn’t been printed yet. Instead, we used blue glass beads, and I rather liked the visual effect they provided. I’m tempted to get a set of my own as replacements.
Finally, there are cards–lots of cards. A Touch of Evil Supernatural Game is chock-full of them, much more so than LNoE. There are:
—item cards to buy in the store which give you upgrades to your character chart
—mystery cards that are drawn and played every round, usually spelling trouble for your heroes
—event cards that can be kept in your hand until needed
—lair cards which must be used to force a showdown with the Villain
—four decks of location cards (which I’ll get into a bit later)
—town elder cards, which are played at the top of the board before the game starts
—secrets cards that are placed face-down beneath each town elder, also before the start of the game
Having so many different decks can seem a bit daunting, but it’s actually quite easy to get the hang of how and when to draw the right ones. Also included in the game are turn summary cards for each player; this is a nice gesture which greatly helps in player comprehension.
The only component I didn’t get a chance to look at was the rulebook; I’m not sure if it was even on the table. But I’m very impressed with the quality and number of components here.
Rules Summary: I’m going to try to keep this lightly detailed, because the more in-depth I get the more certain I am to get something wrong–and I don’t want to give false impressions about the game to anyone.
The object of A Touch of Evil Supernatural Game is to gather a hunting party (comprised of town elders and your character) and summon the Villain to a Showdown in his secret Lair. At the start of the game town elders are each given a secret (unseen) card, meant to represent the dirty secrets that they might hold. Some of these are harmless and have no effect on the game, but others might reveal that an elder is in fact working for the villain. When you choose elders (up to two) for your hunting party, their secrets are revealed to all–and if an elder is in fact a member of the dark side, his stats are immediately added to the Villain’s. Therefore it’s important to make sure you only choose “clean” elders to join your party. There are several chances throughout the game to secretly look at elders’ secrets ahead of time, which should help you in making a wise decision.
To start a turn, the first player rolls a d6 to determine the number of spaces he may move. On the board there are four corner locations, each with its own unique deck of cards: The Manor, Windmill, Ye Olde Woods, and Abandoned Keep. Paths lead from the town of Shadowbrook out to these places, and there are several locations in the town itself that you may travel to. If you choose to head off to one of the corner locations, you must resolve the encounter by flipping over the top card of that location’s deck and reading it out loud. These locations have more risk involved than staying in the down, as you’re much more likely to be forced to fight a minion or two (or even an assassin). However, if you can manage to defeat your opponent, the rewards in turn are much greater, usually granting you some amount of Investigation. Not all corner cards are harmful; several give you upgrades or bonuses, or allies that you may play without having to go through an opponent first.
If the player chooses to go to a town space however, he or she must immediately draw an event card and may perform the action listed on the space itself. Two of the town locations have tests–one for Spirit and one for Cunning. Each test requires that you roll a number of dice equal to your attribute score; if any one of those dice rolls meet or exceed a target number your Cunning/Spirit is raised one point. The other three spaces either allow you to heal by paying one investigation per wound at the doctor’s, draw two event cards and discard one in the town center, or purchase an item card from the blacksmith by paying the amount of Investigation listed on the card. Afterward, you may choose to take any number of actions listed on your summary card. These include buying a Lair card, spending Investigation to secretly look at one town elder’s “secrets” card, pay two or three (I don’t remember which) Investigation to heal a wound, or a couple of other options that are slipping my mind right now.
Each player in turn then moves and resolves his or her encounters until everybody has had a turn. Then the first player flips over the top card of the Mystery deck and reads it out loud, performing the actions listed. Mystery cards describe the evil that the Villain has been doing in the town and countryside that turn, and their effects are varied but almost always negative to the players. Once the Mystery card has been played, the turn order token passes to the next player and the game starts its next turn.
A bit more on the Lair cards: each contains the name of a location on the board and an Investigation cost. To buy a Lair card you must use an action on your turn (there is no limit to the number of actions you may take) and spend the appropriate Investigation cost–not, I repeat, not the cost printed on the Lair card itself (since these are face-down until you buy one).
How do you know how much Investigation to spend on a Lair card? This is where the previously-mentioned scoring track comes into play. It’s numbered from 20 to 1, divided up into five sections of four numbers each (e.g., 20-17, 16-13, etc.) This basically serves as a tempo marker for A Touch of Evil Supernatural Game: instead of moving the marker down each turn automatically, it is shifted through the use of Mystery cards and other effects–sometimes more than one number at a time. The Villain immediately wins when the marker reaches the end, so the game can become a nail-biting experience when you’re three or four numbers away from losing and any card you draw could shove that down even further.
Below each section is a number that starts at 12 for the section 20-17 and drops down to 1 for the section 4-1. I believe the distribution goes something like 12, 8, 3, 1, 1, but I could be mistaken. It is these five numbers which tell you how much Investigation you need to pay in order to draw a Lair card. At the beginning of the game everyone is grabbing as much Investigation as possible in order to gather needed upgrades, making it ruinous to spend most of your hard-earned income on a Lair card that you shouldn’t use until later in the game. Currency is very tight in A Touch of Evil Supernatural Game (we rejoiced when a drawn card placed three Investigation tokens on every named space on the board to collect at will), and it pays to wait until later in the game before getting a Lair card. The longer you wait, the cheaper it becomes, but you have to balance that against the distinct possibility that you may not have enough time to defeat the villain before the scoring track runs down.
Once you purchase a Lair card, however, you may start a Showdown with the villain by moving to the location listed on your card and paying its Investigation cost. Yes, you have to pay twice–once to buy the card and once to play it. When a Showdown is started, you may choose up to two town elders and add them to your hunting party after revealing their secrets to all players. Remember, if an elder has a dark secret its card is immediately flipped over to show its evil side, then joins the villain, usually adding at least one additional wound space and combat die. Both the Villain and Hero roll their combat dice simultaneously (another player may take the Villain’s role temporarily) and apply hits to each other on a 5 or a 6. You’re allowed to play cards from your hand to help you in the battle, and in a competitive game other players may add cards to the Villain to prevent you from winning (as mentioned before).
If the Villain takes out all of your wounds, you’re “knocked out” and must be immediately sent back to the town center where your wounds are fully healed. Your Lair card is discarded as well, which prevents anyone else from fighting the villain unless they also play their own Lair card at the proper location. Believe me, losing to the Villain is a painful process, since by the time you’re killed the odds are good that you’ve just used up all of your bonuses, extra Investigation, allies, and any single-use cards and powerups in your hand. Then you have to start all over again, collecting investigation and buying another Lair card if you feel confident enough to challenge the Villain soon. I was one die roll away from defeating the Headless Horseman the first time I fought him in a Showdown, and it took me the rest of the game before feeling ready to challenge the Horseman again.
Side note: At the time, I didn’t realize that you’re allowed to run away from a fight; I assumed you had to stay in it until the bitter end. It isn’t the end of the world if you find yourself hopelessly outmatched, which should negate some of the sting of realizing you’re in over your head.
If you’re able to wound the Villain before getting knocked out, those wounds will stay on his sheet, making it easier for another player to take him out. However, he is able to heal three wounds every full turn, so another player waiting in the wings to force a Showdown should do it as soon as possible. In no time at all the Villain can be fully refreshed, ready to mercilessly slaughter the next unlucky Hero.
If, however, you put enough hits on the Villain to fill up his wound sheet and all of his allies’, you win the game. Evil has been successfully vanquished, and Shadowbrook can live peacefully once more.
It took our group about two hours to get through a full game (including rules explanations), which is right at the upper limit of the 60-120 minute suggested playing time. After we thanked Jason and left the booth, all of us turned to each other and said, “Wow, that was a really fun game.” And it is. For me, this was the best of all of the games I tried at Origins this year. It’s at least as good as LNoE, and one of my friends thinks it’s even better. But why?
For starters, the gameplay is engrossing without being too complicated, challenging without being too hopeless, and varied while sticking to a fairly straightforward rules system. We had very few questions about rules or timing elements once Jason explained the game to us; I think Flying Frog has fixed the problems that plagued LNoE’s card interactions. There are more cards in this game than LNoE, but they’re used for mostly different purposes. Combat is more reliant on permanent upgrades and allies than playing temporary enhancements, and since there is no player vs. player combat (and the villain doesn’t have a card deck) you’re mostly able to play your cards when you’d like during a battle. This helps to streamline combat, which is important because that really isn’t the main focus of this game–it’s the buildup required beforehand.
This brings me to my second point: A Touch of Evil Supernatural Game is a rich and rewarding game. Since there’s quite a bit more to do than merely fighting monsters, your character becomes more well-rounded instead of solely focusing on combat upgrades. You have to worry about which town elders you’ll choose for a hunting party–and since you really want to take 2, it’s important to devote some time to figuring out their secrets. Because a Mystery card is played every turn, there’s always an element of danger involved even though the board may look deceptively quiet. I didn’t get a chance to go through the entire decks for the four corner locations, but my initial impression is that each has a different theme involved instead of just being swappable boilerplate decks with different names on the backs.
A Touch of Evil Supernatural Game also drowns the player in story, from the parchment-style board to the excellent-looking cards to the theme that augments the game’s mechanics without overwhelming them. This would be a hard game to repackage, since so many of the actions you can take feel directly correlated with what your character is doing in-game. By taking control of only one hero for the entire game, it’s easier to become involved in what you’re doing without worrying about having to start over with somebody new once yours is killed.
It’s important to note that this game is challenging, especially when playing competitively. I was ready to take out the Headless Horseman when another player put down a card that spelled certain doom for my character during the Showdown. Because of the difficulty of gathering enough Investigation to outfit your character and buy a Lair card, making sure that you know which town elders you want to bring along, and worrying about other players taking you out only after you weaken the Villain for them, there will be a lot of groaning and laughing at the table if you fall short of your goal in a spectacularly frustrating fashion. There’s a sense of unity around the table when someone starts a Showdown (unless, of course, you’re waiting in the wings to mop up the pieces), and everyone gets into the combat as well, cheering on the player fighting desperately to stay conscious. This isn’t a gentle game by any means, but the players’ collective energies are focused on defeating the villain and not on attacking each other. I like my cutthroat games, but A Touch of Evil Supernatural Game is difficult and fiendish without being antagonistic. I think that’s an important distinction to make, because even those of us who lost the game still left the table grinning and wanting to play again. We had a collective sense of accomplishment once we saw the Headless Horseman go down in flames after many, many difficult struggles.
I don’t want to give this game a rating because it was basically a pre-release, unfinished version and I only played one session of the basic rules. But I know that I’ll be pre-ordering it as soon as Flying Frog’s webstore puts up the link–and for me, that’s a very strong recommendation. I can’t wait to play A Touch of Evil Supernatural Game again, and encourage even those who disliked some elements of LNoE to give this one a chance. It was loads of fun for all involved, and isn’t that what playing games is all about?
June 25, 2008
For those of us in the U.S. who are Muse fans, iTunes has been a soruce of disappointment over the past several years. All of their albums have been available for purchase, and that’s it — no B-sides, no singles, and no compilations. iTunes UK has everything, but unless you’re skillful enough to work around the UK credit card/billing address requirements, there haven’t been too many legal options left for people wanting more Muse. You could either pay often-outrageous prices for UK and Japanese imports, or you could rely on the generosity of UK friends and the invaluable Muselive (seriously, that site is pure gold).
For most bands, this wouldn’t be a big deal. Rarities and B-sides are often left off of albums for a reason: they’re simply not up to par with the album tracks. But just like Sigur Rós and The National, Muse’s non-album songs are fully equal with anything they’ve released on an LP. And now, for the first time, iTunes US has a very substantial collection of Muse singles available for download. Oh, happy day!
I’m not the biggest fan of iTunes’ thirty-second preview for music; it often isn’t enough to get a sense for what a song is actually like. Below I’ve put full-length, high-quality streams for five of Muse’s B-sides, along with links to buy the tracks on iTunes. The sixth, “Crying Shame,” isn’t on iTunes yet, but I wouldn’t be surprised to see it in a few weeks.
First up is “Fury,” the Japanese bonus track for 2003’s Absolution LP. “Fury” nearly made it onto the regular album, but was replaced at the last minute by “The Small Print.” It’s a shame, because “Fury” is hands-down one of the top five songs Muse has ever released. Listen in awe:
Next we have “Eternally Missed,” a B-side to the “Hysteria” single. It’s one of the longest songs Muse has ever recorded at 6+ minutes, but it has a nice thumping bass to keep things moving. Some Musers call it a masterpiece; I think it’s merely very good — but decide for yourself:
Third on the playlist is “The Groove,” a rifftastic B-side from the “Sing for Absolution” single. Muse hasn’t played this one live since 2004 (well, apart from instrumental versions here and there), and it’s become a running joke for Muse fans to bring banners with the words “Play The Groove!” to every concert.
Moving on to the Black Holes and Revelations era, we have this album’s Japanese bonus track, “Glorious” — one of my favorites due to its chromatic chorus and passionate lyrics: “Believes we could be glorious…”
The last non-remix B-side on iTunes is “Assassin (Grand Omega Bosses edit)” from the “Knights of Cydonia” 7″ vinyl. The song is an extended version of the “Assassin” track from Black Holes and Revelations., including different percussion, more distortion, and a very, very tight bridge in the middle that’s completely missing from the album version. Those changes turn “Assassin” into a must-play on my iPod; it’s a far superior version in every way. I can understand why Muse didn’t put it on the album, since it’s definitely more prog-leaning than the other BH&R songs. Check it out:
And finally, we have a song that isn’t currently available for iTunes purchase, although I hope it will be soon. “Crying Shame” is a B-side off of the “Supermassive Black Hole” single, although it was originally rumored to be Black Holes and Revelations’ first single. It’s a bit too short for me to feel like I can ever fully enjoy the song in one sitting, but I’ve put it on here for your listening pleasure:
June 21, 2008
I like to think of myself as someone rarely caught off guard, almost always able to think cogently regardless of whatever circumstances in which I might find myself. Occasionally, however, there will be a sensory trigger that flips a switch in my brain, promptly turning me into a mindless, quivering blob of jelly. This picture is one of them:
That image has been nothing but deleterious to me; I can scarcely remember to breathe, let alone use any of my higher brain functions. Every nervous system in my body has shut down, and all I can do is gaze rapturously upon such a vision.
One must surely require a piece of music to accompany the above picture. I’m partial to Francoeur’s Suite in G Minor: Contredanse but Bach’s Orchestral Suite No.4 in D Major: La Réjouissance also works quite wonderfully. Are there any other suggestions?
June 19, 2008
From a phone call several days ago:
“Information desk, may I help you?”
“Yes, I think so. I’m looking for Ernest Hemingway…you know, the one about the old guy and the sea?”
“Ah, you mean…The Old Man and the Sea?”
“Yeah, that’s it. My daughter has to do a book report; do you have one available?”
“Yes, as a matter of fact we have several copies of the novel checked in. Would you like me to pull one for you?”
“No, no, I want a DVD if you have it. My daughter’s tried to read the book, but it keeps putting her to sleep. I was hoping that maybe if she watched a movie instead it would be more interesting.”
“Well…in that case, there is a copy of the 1958 version starring Spencer Tracy in the system. However, I’d have to request it for you from another library.”
“Can you tell me when you’d get it in?”
“I can’t promise anything, but I would think in about a week or so — not much later than that.”
“Ah, that won’t work. She needs to do the report by Friday. How is she supposed to do well if she can’t watch the movie?”
“Perhaps that’s why they call it a “book” report. Have a nice day.”
June 11, 2008
Blood Red Shoes are a two-piece from Brighton that have quite a bit in common with other garage-rock Brit bands. It wouldn’t be wrong to draw parallels with The Subways or The Libertines — or, if you’re into a bit of aural masochism, The Vines. What Blood Red Shoes has that The Vines doesn’t, however, is a fair amount of talent to go along with the unbridled enthusiasm that makes up their debut album Box of Secrets. Check out the ready-for-Guitar-Hero single “You Bring Me Down” (honestly, that’s meant as a compliment) below:
June 9, 2008
One of the coolest new blogs right now is being run by the Boston Globe. It’s a photoblog called The Big Picture, and every day (or thereabouts) Alan Taylor posts a few amazing images to gawk over and be amazed by. Today featured a collection of photos of Earth, taken by U.S. astronauts. They’re absolutely phenomenal, as evidenced by this one:
Click on the picture to see it in its original size, then check out The Big Picture and add it to your RSS aggregator. Photos don’t get much better than this.
June 6, 2008
Apart from The Dark Night and WALL•E, this is the film I’m looking forward to most this summer. I was one of the most ardent defenders of The Fountain against those who proclaimed it to be all style and no substance, and I have a feeling that The Fall might require the same. Roger Ebert’s four-star review and the A.V. Club’s measured praise give me hope that the overall mixed reactions from critics might be a testament to its singularity. One can only hope this film doesn’t get lost in the arthouse shuffle this blockbuster season.
June 5, 2008
Ladytron’s fourth album Velocifero hit stores this past Tuesday, and it’s been in nearly-perpetual rotation on my iTunes since then. Listen to their first track “Black Cat” and get hooked on five minutes of dark, buzzing glam-pop. And yeah, it’s in Bulgarian. Make up your own lyrics.